![]() A later tuning was BEADGBE, following standard seven-string-guitar tuning (EADGBE plus a low B). In 1988, Atlanta luthier Bill Hatcher made a seven string bass tuned EADGBEA (the lowest six strings follow standard six-string-guitar intervals, EADGBE, down 1 octave, and the seventh string an added fourth above). In the late 1980s, luthier Michael Tobias made the first bass with more than six single-course strings, a custom-order seven-string bass for bassist Garry Goodman, tuned BEADGCF. And California builder Alembic delivered their first 5-string with a low B to Jimmy Johnson in 1976. Carl Thompson also finished a five-string bass tuned BEADG in May of 1976. In 1974, Anthony Jackson asked Carl Thompson to build him a six-string bass guitar tuned (from low to high) BEADGC, which he called a " contrabass guitar." Due to the close string spacing utilized to accommodate available pickups at the time, Jackson was unhappy with the instrument due to difficult playability. In 1965, Fender introduced the first five-string bass guitar, the Fender Bass V, however unlike the modern 5 string, it had a high C instead of a low B, although, with the total number of frets on a Bass V being fifteen, the total range of the instrument was identical to a twenty-fret four string Fender bass. Fender brought out the Fender Bass VI in 1961, also tuned EADGBE, an octave below a regular six-string guitar. In 1956 Danelectro introduced their six-string bass (tuned EADGBE, an octave below a six-string guitar). ( May 2018) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this section by adding citations to reliable sources. The Ibanez Ashula bass guitar, though having seven strings, would also not be considered as an extended-range bass because the first four strings - G D A (low)E - lie over a section of the fretboard that has frets whereas the last three strings - a lower G, D and A - lie over a fretless part of the same fretboard. These strings are played in unison with the bass strings, thereby producing a natural chorus effect. Įxtended-range bass does not refer to bass guitars with double or triple courses of strings such as the eight-string bass guitar or twelve-string bass, both of which could be considered as standard four string basses but with the addition of piccolo bass strings, tuned in octaves. Les Claypool's piccolo bass has 29 frets whereas Manring's Hyper Bass is a fretless instrument (however if it were a fretted bass it too would also exceed the 24th fret). Michael Manring's 'Hyperbass' by Zon guitars and Les Claypool's main Carl Thompson piccolo bass are both four string basses but with necks that exceed the standard 24 frets (20 to 24 being the 'standard' for most commercially available bass guitars). These too, are considered extended-range basses. Basses have been made with seven, eight, nine, or even fifteen strings with extremely wide necks and custom pickups. Most commonly, six-string basses add a low B and a high C, extending the range on the low end and the higher register, although other tunings are used. Less commonly, the six-string bass guitar is used. Less commonly, five-string instruments add a high C-string, extending the higher range. Five-string basses often have a low-B string, extending the instrument's lower range. ![]() The most common type of bass guitar with more than four strings is the five-string bass. Michael Manring uses basses with detuners on every string this enables him to have access to a greater number of chime-like harmonics.Īnother way to get an extended range is to add strings. Detuners are more rarely used on other strings. A common use of detuners is to drop the low E to a low D. When the player triggers the detuner, it drops the pitch of the string by a pre-set interval. One way that a bass can be considered 'extended-range' is to use a tuning machine mechanism that allows for instant re-tuning, such as the popular 'Xtenders' made by Hipshot detuners.
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